We design and build bespoke frames and provide installation solutions for art collectors, galleries, museums, designers and artists.

(Above) Custom Optium Museum Acrylic Vitrine holds a vintage photo floated on museum ragboard with a custom wooden base. (Below) Custom molding fabricated in-house

(Above) Custom Optium Museum Acrylic Vitrine holds a vintage photo floated on museum ragboard with a custom wooden base. (Below) Custom molding fabricated in-house was painted Twilight Magenta to resemble the color of the car in Adrienne Raquel’s Southside, 2021.

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Group of unfinished frames waiting to be stained and sealed.

Group of unfinished frames waiting to be stained and sealed.

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Beauford Delaney Untitled, #B20 350 24-7/16 X 18-7/8 inches The original drawing was preserved with minor mending to the edges. The work was floated on museum rag board in a welded aluminum frame, finished in harbor gray with Optium Museum Acrylic

Beauford Delaney Untitled, #B20 350 24-7/16 X 18-7/8 inches The original drawing was preserved with minor mending to the edges. The work was floated on museum rag board in a welded aluminum frame, finished in harbor gray with Optium Museum Acrylic glazing.

View of Verge’s production studio, with frames prepped to be joined and waiting to be sanded for finishing.

View of Verge’s production studio, with frames prepped to be joined and waiting to be sanded for finishing.

Susan Derges photo, framed in custom bullnose moulding with Optium Museum Acrylic glazing.

Susan Derges photo, framed in custom bullnose moulding with Optium Museum Acrylic glazing.

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View from inside the spray booth, two frames are being primed.

View from inside the spray booth, two frames are being primed.

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Reviewing color chips during a reframing consultation.

Reviewing color chips during a reframing consultation.

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Unique framing consultation for an original photo by Andre Kertesz. Pictured is a custom mirror backing with an aluminum welded frame featuring a polished face and brushed sides. The work was plateaued on museum rag board for protection and finished

Unique framing consultation for an original photo by Andre Kertesz. Pictured is a custom mirror backing with an aluminum welded frame featuring a polished face and brushed sides. The work was plateaued on museum rag board for protection and finished with museum glass glazing.

Laura Letinsky #1 Albeit series Chromogenic Print, Edition of 7 11 x 14 inches, framed This photo was framed in a custom beveled profile finished with handpainted whitewash. Optium Museum Acrylic and archival linen hinges were used for best archival

Laura Letinsky #1 Albeit series Chromogenic Print, Edition of 7 11 x 14 inches, framed This photo was framed in a custom beveled profile finished with handpainted whitewash. Optium Museum Acrylic and archival linen hinges were used for best archival preservation. This piece was included in Molosco, on view at the Four Seasons Hotel, Chicago.

Consultation for a custom wooden base to enclose the original base of an Elizabeth Catlett sculpture. Pictured are the fabricated samples, each with slight variations in finish.

Consultation for a custom wooden base to enclose the original base of an Elizabeth Catlett sculpture. Pictured are the fabricated samples, each with slight variations in finish.

The Verge team installing a large framed photograph by Doug Fogelson. A minimal floated frame holds this print, and A UV coating was used to protect the surface without adding significant weight.

The Verge team installing a large framed photograph by Doug Fogelson. A minimal floated frame holds this print, and A UV coating was used to protect the surface without adding significant weight.